__________1. painting worked on huge canvases spread on the floor, splattering, squirting, and dribbling paint with (seemingly) no pre-planned pattern or design in mind.
__________2. an art in which commonplace objects (such as comic strips, soup cans, road signs, and hamburgers) were used as subject matter and were often physically incorporated in the work.
___________3. used different color saturations (purity, vividness, intensity) to create their desired effects. ___________4. also called optical art, branch of mid-20th-century geometric abstract art that deals with optical illusion. Achieved through the systematic and precise manipulation of shapes and color.
__________5. best known for large-scale paintings that break away from traditional processes, often taking the canvas off of the easel and using unconventional materials such as house paint
__________6. best known for large-scale paintings that break away from traditional processes, often taking the canvas off of the easel and using unconventional materials such as house paint.
__________7. a form of modern art in which the actions of an individual or a group at a particular place and in a particular time constitute the work.
__________8. is a contemporary art form that uses sculptural materials and other media to modify the way the viewer experiences a particular space.
__________9. Often sought to encourage viewers in looking beyond traditional aesthetic conventions and derive their own meaning through critical thinking.
__________10. This was yet another experiment in visual experience-a form of "action painting," with the action taking place in the viewer's eye.
