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d. EXTREME CLOSE-UP
An extreme close-up shot frames a subject very closely, typically to the point where the subject's margins are cut off by the frame's edges. This is typically used on actors to show certain parts of their bodies, such as the face or hips, but it can also be used to display simply the actor's mouth or even a single eye.
Inanimate objects can also be framed in an extreme close-up photograph, but the scale and size of the object must be considered. If you were to photograph a steaming teapot up close, you might choose to focus on the spout or the base. The concept is that you can't see the whole thing, so you're forced to concentrate on a little part of it, hopefully for the best impact.
Extreme close-up shots are employed for b-roll, inserts, and the occasional establishing shot in addition to performers. To put it another way, there are a lot of ways to use this shot, and having it in your director's toolbox will help you be a better filmmaker.
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